Estrellas de Hollywood luchando en la IIGM
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Estrellas de Hollywood luchando en la IIGM
John Ford
During World War II, Commander John Ford, USNR, served in the United States Navy and made documentaries for the Navy Department. He won two more Academy Awards during this time, one for the semi-documentary The Battle of Midway (1942), and a second for the propaganda film December 7th (1943).[32][33][34]
Ford was present on Omaha Beach on D-Day. As head of the photographic unit for the Office of Strategic Services, he crossed the English Channel on the USS Plunkett (DD-431), anchored off Omaha Beach at 0600. He observed the first wave land on the beach from the ship, landing on the beach himself later with a team of US Coast Guard cameramen who filmed the battle from behind the beach obstacles, with Ford directing operations. The film was edited in London, but very little was released to the public. Ford explained in a 1964 interview that the US Government was "afraid to show so many American casualties on the screen", adding that all of the D-Day film "still exists in color in storage in Anacostia near Washington, D.C."[35] Thirty years later, historian Stephen E. Ambrose reported that the Eisenhower Center had been unable to find the film.[36] Ford eventually rose to become a top adviser to OSS head William Joseph Donovan. According to records released in 2008, Ford was cited by his superiors for bravery, taking a position to film one mission that was "an obvious and clear target". He survived "continuous attack and was wounded" while he continued filming, one commendation in his file states.[37]
http://en.wikipedia.org/wiki/John_Ford" onclick="window.open(this.href);return false;
During World War II, Commander John Ford, USNR, served in the United States Navy and made documentaries for the Navy Department. He won two more Academy Awards during this time, one for the semi-documentary The Battle of Midway (1942), and a second for the propaganda film December 7th (1943).[32][33][34]
Ford was present on Omaha Beach on D-Day. As head of the photographic unit for the Office of Strategic Services, he crossed the English Channel on the USS Plunkett (DD-431), anchored off Omaha Beach at 0600. He observed the first wave land on the beach from the ship, landing on the beach himself later with a team of US Coast Guard cameramen who filmed the battle from behind the beach obstacles, with Ford directing operations. The film was edited in London, but very little was released to the public. Ford explained in a 1964 interview that the US Government was "afraid to show so many American casualties on the screen", adding that all of the D-Day film "still exists in color in storage in Anacostia near Washington, D.C."[35] Thirty years later, historian Stephen E. Ambrose reported that the Eisenhower Center had been unable to find the film.[36] Ford eventually rose to become a top adviser to OSS head William Joseph Donovan. According to records released in 2008, Ford was cited by his superiors for bravery, taking a position to film one mission that was "an obvious and clear target". He survived "continuous attack and was wounded" while he continued filming, one commendation in his file states.[37]
http://en.wikipedia.org/wiki/John_Ford" onclick="window.open(this.href);return false;
[img]http://i94.photobucket.com/albums/l95/hartmann_/50.gif[/img]
https://ejercitopolacoensegundaguerramundial.blogspot.com/
https://ejercitopolacoensegundaguerramundial.blogspot.com/
Estrellas de Hollywood luchando en la IIGM
John Huston
THE UNITED STATES ARMY SIGNAL CORPS
OTROS ARTÍCULOS
The U.S. Army Signal Corps began in 1860, with the appointment of Dr. Albert J. Myer, a physician, as Chief Signal Officer. Under his command, the unit transformed sign language used to communicate with deaf persons into a semaphore system incorporating red and white “wigwag” flags. During the Civil War, the Signal Corps operated air balloons and telegraph machines. By the time the United States entered World War I in 1917, the corps had integrated the airplane and more advanced technology into its communications systems.
In World War II, the Signal Corps' size and role in military affairs increased dramatically. From a staff of 27,000 persons, it expanded to over 350,000 men and women by 1945. The need to coordinate swift and accurate communication for air, ground, and naval units required more sophisticated technology and services. The Signal Corps pioneered in the development of radar to detect approaching aircraft as well as mobile communications and deciphering machines.
In addition to its primary role in military transmissions, the unit also played a key role in producing training films for army and civilian personnel, and documenting combat missions. During World War II, noted Hollywood producers, directors, and photographers (such as Darryl Zanuck, Frank Capra, John Huston, and George Stevens) all served in the Signal Corps. They brought their talents in the motion picture studio to the field of battle, while dozens of others provided instruction to the personnel.
In the European theater of operations (ETO), Signal Corps photographers took part in the landings in North Africa, Italy, and later Normandy. On D-Day (June 6, 1944), members of the unit hit the Utah and Omaha beaches, forwarding the first film of the amphibious assaults to England via carrier pigeons. The Signal Corps subsequently documented every major military campaign in the ETO, producing millions of feet of combat film and hundreds of thousands of developed still images. From these sources, the Army supplied the news media in the United States and elsewhere with imagery of the war, using 24-hour air delivery service and later sophisticated telephoto electronic-transmission equipment
In the course of photographing World War II, the Signal Corps also played a crucial role in documenting evidence of Nazi atrocities and the Holocaust. Many of the early still and moving pictures of newly liberated Nazi concentration camps were taken by Army photographers such as Arnold E. Samuelson and J Malan Heslop. A number of these images were later transmitted to news agencies in America and other countries, where they helped to inform the world about the horrors of Nazism and the plight of concentration camp prisoners. The U.S. Army and the Allied military governments of Germany eventually used these photographs to confront German prisoners of war in the United States and the German population with the evidence of Nazi crimes.
http://www.ushmm.org/wlc/article.php?la ... d=10006175" onclick="window.open(this.href);return false;
THE UNITED STATES ARMY SIGNAL CORPS
OTROS ARTÍCULOS
The U.S. Army Signal Corps began in 1860, with the appointment of Dr. Albert J. Myer, a physician, as Chief Signal Officer. Under his command, the unit transformed sign language used to communicate with deaf persons into a semaphore system incorporating red and white “wigwag” flags. During the Civil War, the Signal Corps operated air balloons and telegraph machines. By the time the United States entered World War I in 1917, the corps had integrated the airplane and more advanced technology into its communications systems.
In World War II, the Signal Corps' size and role in military affairs increased dramatically. From a staff of 27,000 persons, it expanded to over 350,000 men and women by 1945. The need to coordinate swift and accurate communication for air, ground, and naval units required more sophisticated technology and services. The Signal Corps pioneered in the development of radar to detect approaching aircraft as well as mobile communications and deciphering machines.
In addition to its primary role in military transmissions, the unit also played a key role in producing training films for army and civilian personnel, and documenting combat missions. During World War II, noted Hollywood producers, directors, and photographers (such as Darryl Zanuck, Frank Capra, John Huston, and George Stevens) all served in the Signal Corps. They brought their talents in the motion picture studio to the field of battle, while dozens of others provided instruction to the personnel.
In the European theater of operations (ETO), Signal Corps photographers took part in the landings in North Africa, Italy, and later Normandy. On D-Day (June 6, 1944), members of the unit hit the Utah and Omaha beaches, forwarding the first film of the amphibious assaults to England via carrier pigeons. The Signal Corps subsequently documented every major military campaign in the ETO, producing millions of feet of combat film and hundreds of thousands of developed still images. From these sources, the Army supplied the news media in the United States and elsewhere with imagery of the war, using 24-hour air delivery service and later sophisticated telephoto electronic-transmission equipment
In the course of photographing World War II, the Signal Corps also played a crucial role in documenting evidence of Nazi atrocities and the Holocaust. Many of the early still and moving pictures of newly liberated Nazi concentration camps were taken by Army photographers such as Arnold E. Samuelson and J Malan Heslop. A number of these images were later transmitted to news agencies in America and other countries, where they helped to inform the world about the horrors of Nazism and the plight of concentration camp prisoners. The U.S. Army and the Allied military governments of Germany eventually used these photographs to confront German prisoners of war in the United States and the German population with the evidence of Nazi crimes.
http://www.ushmm.org/wlc/article.php?la ... d=10006175" onclick="window.open(this.href);return false;
[img]http://i94.photobucket.com/albums/l95/hartmann_/50.gif[/img]
https://ejercitopolacoensegundaguerramundial.blogspot.com/
https://ejercitopolacoensegundaguerramundial.blogspot.com/
- homer5275
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Estrellas de Hollywood luchando en la IIGM
Gracias Spitii por tu colaboracion
Una imagen del Capitan John Ford
http://www.history.navy.mil/bios/ford_john.htm" onclick="window.open(this.href);return false;
Un saludo
Una imagen del Capitan John Ford
http://www.history.navy.mil/bios/ford_john.htm" onclick="window.open(this.href);return false;
Un saludo
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Estrellas de Hollywood luchando en la IIGM
Mirar este link que os dejo, hay algunos actores que aun no estan en la relacion
http://www.geocities.com/ww2_remembered/movies.html" onclick="window.open(this.href);return false;
Peter Falk: Peter Falk lost his right eye as a child due to a tumor. In 1945 he enlisted in the U.S. Marine Corps, and memorized the eye chart so he could pass the physical. The examiner became suspicious when his right eye didn't move. The Marines would not take him, so he joined the Merchant Marines.
Leslie Howard: In 1939, he played the character that was always to be associated with him - that of Ashley Wilkes, the honor-bound disillusioned intellectual southern gentleman in Gone With The Wind. But war clouds were gathering over England and Leslie devoted all his energy on behalf of the war effort. He directed films, he wrote articles and made radio broadcasts. He died June 1, 1943 when the KLM plane he was on was shot down by German fighter pilots over the Bay of Biscay.
Julia Childs: She was born Julia Carolyn McWilliams in Pasadena, CA., on Aug. 15, 1912, to an upper-class family that employed a cook. According to her biographer, she couldn't even boil water when she graduated from Smith College in 1934 with a degree in History. Child, who was 6' 2" tall, had intended to be either a novelist or a baskteball player.
During WWII she served with the Office of Strategic Services (an agency that later became the CIA). She served first in Washington, DC, then in Ceylon (now Sri Lanka) and later China. It was during that time that she met her husband, Paul Child. After WWII he was assigned to the U.S. Information Service at the American Embassy in Paris.
It was in Paris that Julia started her culinary career, at the Cordon Bleu, one of France's premier culinary institutes. In collaboration with her two French collegues, Simone Beck and Louisette Bertholle, she wrote "Mastering the Art of french Cooking", which appeared in 1961. Child was 49 at the time the book was published.
The volume remains in print and is considered a seminal work because of its simplicity, clarity and effect, which was to illustrate that anyone who wished could cook classic French cuisine. Craig Claiborne, the long-time food editor of the New York Times called it "a masterpiece". The book led to an interview with WGBH in Boston, and the responce to that interview led to the debut of "The French Chef" in 1961, Child's long running PBS show. Julia Child's kitchen has been preserved as an exhibit at The Smithsonian Institution in Washington, DC.
PD: Perdonar que no traduzca del ingles, pero mi nivel del mismo es pesimo y de los traductores de internet no tepuedes fiar
Saludos
http://www.geocities.com/ww2_remembered/movies.html" onclick="window.open(this.href);return false;
Peter Falk: Peter Falk lost his right eye as a child due to a tumor. In 1945 he enlisted in the U.S. Marine Corps, and memorized the eye chart so he could pass the physical. The examiner became suspicious when his right eye didn't move. The Marines would not take him, so he joined the Merchant Marines.
Leslie Howard: In 1939, he played the character that was always to be associated with him - that of Ashley Wilkes, the honor-bound disillusioned intellectual southern gentleman in Gone With The Wind. But war clouds were gathering over England and Leslie devoted all his energy on behalf of the war effort. He directed films, he wrote articles and made radio broadcasts. He died June 1, 1943 when the KLM plane he was on was shot down by German fighter pilots over the Bay of Biscay.
Julia Childs: She was born Julia Carolyn McWilliams in Pasadena, CA., on Aug. 15, 1912, to an upper-class family that employed a cook. According to her biographer, she couldn't even boil water when she graduated from Smith College in 1934 with a degree in History. Child, who was 6' 2" tall, had intended to be either a novelist or a baskteball player.
During WWII she served with the Office of Strategic Services (an agency that later became the CIA). She served first in Washington, DC, then in Ceylon (now Sri Lanka) and later China. It was during that time that she met her husband, Paul Child. After WWII he was assigned to the U.S. Information Service at the American Embassy in Paris.
It was in Paris that Julia started her culinary career, at the Cordon Bleu, one of France's premier culinary institutes. In collaboration with her two French collegues, Simone Beck and Louisette Bertholle, she wrote "Mastering the Art of french Cooking", which appeared in 1961. Child was 49 at the time the book was published.
The volume remains in print and is considered a seminal work because of its simplicity, clarity and effect, which was to illustrate that anyone who wished could cook classic French cuisine. Craig Claiborne, the long-time food editor of the New York Times called it "a masterpiece". The book led to an interview with WGBH in Boston, and the responce to that interview led to the debut of "The French Chef" in 1961, Child's long running PBS show. Julia Child's kitchen has been preserved as an exhibit at The Smithsonian Institution in Washington, DC.
PD: Perdonar que no traduzca del ingles, pero mi nivel del mismo es pesimo y de los traductores de internet no tepuedes fiar
Saludos
Lo difícil se consigue, lo imposible se intenta (Lema UOE de la Infantería de Marina Española)
Estrellas de Hollywood luchando en la IIGM
Me encata esto de tener que leer los post con el diccionario de ingles al lado Me encanta culturizarme.
Por cierto el señor John Ford es el responsable de que muchas de las batallas que nos han llegado son a menudo trucadas, es decir, recreó unas cuantas de ellas con tal precisión que no es de extrañar que llegara a genio del cine. NO porque no quisiera filmarlas, es que a menudo no le dejaron acercarse al frente para ello. Fue una de las razones por las que acabó llevandose mal con las fuerzas armadas de su pais.( Y de paso con media industria del cine)
Por cierto el señor John Ford es el responsable de que muchas de las batallas que nos han llegado son a menudo trucadas, es decir, recreó unas cuantas de ellas con tal precisión que no es de extrañar que llegara a genio del cine. NO porque no quisiera filmarlas, es que a menudo no le dejaron acercarse al frente para ello. Fue una de las razones por las que acabó llevandose mal con las fuerzas armadas de su pais.( Y de paso con media industria del cine)
Caminando por la vida myspace.com/blogn5
+16
"La propaganda tiene un sólo objetivo: conquistar a las masas.Todo procedimiento que nos conduzca a ello es bueno; cualquier método que lo dificulte es malo" Goebbels
+16
"La propaganda tiene un sólo objetivo: conquistar a las masas.Todo procedimiento que nos conduzca a ello es bueno; cualquier método que lo dificulte es malo" Goebbels
Estrellas de Hollywood luchando en la IIGM
No debía llevarse tan mal, después de todo, tras la guerra fue ascendido a almirante.Fue una de las razones por las que acabó llevandose mal con las fuerzas armadas de su pais.
My body lies under the ocean
My body lies under the sea
My body lies under the ocean
Wrapped up in an SB2C
Un poco de ciencia aleja de Dios, pero mucha ciencia devuelve a Él (Louis Pasteur)
My body lies under the sea
My body lies under the ocean
Wrapped up in an SB2C
Un poco de ciencia aleja de Dios, pero mucha ciencia devuelve a Él (Louis Pasteur)
Estrellas de Hollywood luchando en la IIGM
Lo digo por el paso del tiempo, aunque fue peor con la industria del cine, que aprovechó todo tipo de escándalos para tratar de desprestigiar su criterio, incluido que era antisemita( si no recuerdo mal)cv-6 escribió:No debía llevarse tan mal, después de todo, tras la guerra fue ascendido a almirante.Fue una de las razones por las que acabó llevandose mal con las fuerzas armadas de su pais.
Caminando por la vida myspace.com/blogn5
+16
"La propaganda tiene un sólo objetivo: conquistar a las masas.Todo procedimiento que nos conduzca a ello es bueno; cualquier método que lo dificulte es malo" Goebbels
+16
"La propaganda tiene un sólo objetivo: conquistar a las masas.Todo procedimiento que nos conduzca a ello es bueno; cualquier método que lo dificulte es malo" Goebbels
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Estrellas de Hollywood luchando en la IIGM
Hola a todosfangio escribió: JAMES STEWART
Piloto de bombardero de la Fuerza Aérea de EEUU, Stewart lideró más de 20 misiones sobre Alemania y participó en cientos de ataques aéreos.
Stewart fue condecorado con la Medalla del Servicio del Aire, Cruz de Vuelo Distinguido, Croix de Guerre (Cruz de Guerra francesa), y 7 Estrellas de Batalla durante la II Guerra Mundial. En tiempos de paz, Stewart continuó siendo miembro activo de la Fuerza Aérea como reservista, alcanzando el grado de Brigadier General antes de retirarse a fines de los años ’50.
Aqui os dejo una fotito de James Stewart
http://www.homeofheroes.com/quickquiz/0 ... yvets.html" onclick="window.open(this.href);return false;
Un saludo
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Re: Estrellas de Hollywood luchando en la IIGM
Hola a todos
Clark Gable
Clark Gable ya era una estrella de cine cuando estalló la Segunda Guerra Mundial. Aunque mas edad de la media de alistamiento, cuando los EE.UU. entraron en la guerra, Gable alistó como voluntario en el AAF en 12 de agosto de 1942 en Los Ángeles. Asistió a la Escuela Oficial de candidatos en Miami Beach, Florida y se graduó como segundo teniente de 28 de octubre de 1942. A continuación, asistió a la escuela de artillería y aéreos en febrero de 1943 fue asignado al 351º Grupo de Bomba en Polebrook, Inglaterra, donde voló misiones operativas en Europa, B-17s registros de hacer cine de las misiones. El Capitán Gable fue enviado a los EE.UU. en octubre de 1943 porque fue sobre pasaba la edad para el combate. A petición de éste, fue relevado del servicio activo el Jun. 12, 1944.
Los tenientes James Stewart y Clark Gable
http://en.wikipedia.org/wiki/RAF_Polebrook
http://www.commonsensejunction.com/xtra ... stars.html
Un saludo
Clark Gable
Clark Gable ya era una estrella de cine cuando estalló la Segunda Guerra Mundial. Aunque mas edad de la media de alistamiento, cuando los EE.UU. entraron en la guerra, Gable alistó como voluntario en el AAF en 12 de agosto de 1942 en Los Ángeles. Asistió a la Escuela Oficial de candidatos en Miami Beach, Florida y se graduó como segundo teniente de 28 de octubre de 1942. A continuación, asistió a la escuela de artillería y aéreos en febrero de 1943 fue asignado al 351º Grupo de Bomba en Polebrook, Inglaterra, donde voló misiones operativas en Europa, B-17s registros de hacer cine de las misiones. El Capitán Gable fue enviado a los EE.UU. en octubre de 1943 porque fue sobre pasaba la edad para el combate. A petición de éste, fue relevado del servicio activo el Jun. 12, 1944.
Los tenientes James Stewart y Clark Gable
http://en.wikipedia.org/wiki/RAF_Polebrook
http://www.commonsensejunction.com/xtra ... stars.html
Un saludo
Re: Estrellas de Hollywood luchando en la IIGM
homer5275 escribió:Hola a todos
Clark Gable
Clark Gable ya era una estrella de cine cuando estalló la Segunda Guerra Mundial. Aunque mas edad de la media de alistamiento, cuando los EE.UU. entraron en la guerra, Gable alistó como voluntario en el AAF en 12 de agosto de 1942 en Los Ángeles. Asistió a la Escuela Oficial de candidatos en Miami Beach, Florida y se graduó como segundo teniente de 28 de octubre de 1942. A continuación, asistió a la escuela de artillería y aéreos en febrero de 1943 fue asignado al 351º Grupo de Bomba en Polebrook, Inglaterra, donde voló misiones operativas en Europa, B-17s registros de hacer cine de las misiones. El Capitán Gable fue enviado a los EE.UU. en octubre de 1943 porque fue sobre pasaba la edad para el combate. A petición de éste, fue relevado del servicio activo el Jun. 12, 1944.
Los tenientes James Stewart y Clark Gable
http://en.wikipedia.org/wiki/RAF_Polebrook
http://www.commonsensejunction.com/xtra ... stars.html
Un saludo
Disculpa, ¿podrias explicar la última parte del post? Esa en la que se refiere al destino en Inglaterra. No entiendo muy bien como has querido traducirla. Gracias.
Caminando por la vida myspace.com/blogn5
+16
"La propaganda tiene un sólo objetivo: conquistar a las masas.Todo procedimiento que nos conduzca a ello es bueno; cualquier método que lo dificulte es malo" Goebbels
+16
"La propaganda tiene un sólo objetivo: conquistar a las masas.Todo procedimiento que nos conduzca a ello es bueno; cualquier método que lo dificulte es malo" Goebbels
- homer5275
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Re: Estrellas de Hollywood luchando en la IIGM
Clark Gable estubo con el con el 351Grupo de Bombardeo en Inglaterra y volo en cinco misiones de combate para rodar una pelicula. No se si te refieres a eso, pero en el enlace de la wikipedia tienes mas informacion.andimana4 escribió:Disculpa, ¿podrias explicar la última parte del post? Esa en la que se refiere al destino en Inglaterra. No entiendo muy bien como has querido traducirla. Gracias.
Un saludo
Re: Estrellas de Hollywood luchando en la IIGM
Gracias, es que no habia entendido el nombre del regimiento. Como el traductor de google es a veces un verdadero desborrego, como una lata, pues una nunca sabe exactamente lo que quiere decir.
Caminando por la vida myspace.com/blogn5
+16
"La propaganda tiene un sólo objetivo: conquistar a las masas.Todo procedimiento que nos conduzca a ello es bueno; cualquier método que lo dificulte es malo" Goebbels
+16
"La propaganda tiene un sólo objetivo: conquistar a las masas.Todo procedimiento que nos conduzca a ello es bueno; cualquier método que lo dificulte es malo" Goebbels
Re: Estrellas de Hollywood luchando en la IIGM
Por cierto ¿alguien sabe el destino de Karl Marden? Ha fallecido esta madrugada a los 97 años. Gracias
Caminando por la vida myspace.com/blogn5
+16
"La propaganda tiene un sólo objetivo: conquistar a las masas.Todo procedimiento que nos conduzca a ello es bueno; cualquier método que lo dificulte es malo" Goebbels
+16
"La propaganda tiene un sólo objetivo: conquistar a las masas.Todo procedimiento que nos conduzca a ello es bueno; cualquier método que lo dificulte es malo" Goebbels
Re: Estrellas de Hollywood luchando en la IIGM
Respecto a la muerte del actor Leslie Howard, existen nuevos datos sobre la localización de los restos de su avión que está publicada enjuan_carlos_35 escribió: Leslie Howard: In 1939, he played the character that was always to be associated with him - that of Ashley Wilkes, the honor-bound disillusioned intellectual southern gentleman in Gone With The Wind. But war clouds were gathering over England and Leslie devoted all his energy on behalf of the war effort. He directed films, he wrote articles and made radio broadcasts. He died June 1, 1943 when the KLM plane he was on was shot down by German fighter pilots over the Bay of Biscay.
http://www.lavozdegalicia.es/ferrol/200 ... 683711.htm
con una historia en la que aparece el General Franco y negociaciones de alto nivel que estoy seguro que os parecerán interesantes.
Según el estudioso del tema, el actor perdió su vida tras el ataque de ocho aviones Junkers 88 cuando sobrevolaba tierras de Cedeira (La Coruña) el 1 de junio del 1943.
De ser así, la información que lo localiza del golfo de Vizcaya resultará errónea.
Un saludo
- homer5275
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Re: Estrellas de Hollywood luchando en la IIGM
Hola Andimanaandimana4 escribió:Por cierto ¿alguien sabe el destino de Karl Marden? Ha fallecido esta madrugada a los 97 años. Gracias
Karl Malden durante la Segunda Guerra Mundial sirvio en la 8ª Fuerza Aerea de la USAF, teniendo un pequeño papel en las Fuerzas Aereas de los EEUU reproduciendo peliculas de la victoria aliada.
Al no tener ninguna foto de uniforme, os pongo una interpretando al General Omar Bradley en la pelicula Patton
http://www.valdezlink.com/pages/actors-moreA-L.htm
http://en.wikipedia.org/wiki/Karl_Malden
Un saludo
TEST